At All Saints Richmond, we are embracing an old tradition and making it new again. This Good Friday, we will revive the long-standing practice of presenting J.H. Maunder’s Olivet to Calvary, a moving sacred cantata that offers a musical journey through Christ’s Passion.
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Composed in 1904, Olivet to Calvary follows the final days of Christ’s earthly ministry—from His triumphal entry into Jerusalem to the sorrow of the Crucifixion. Maunder’s music, deeply rooted in the English choral tradition, combines expressive solos, dramatic recitatives, and stirring choruses, offering a poignant and accessible reflection on the Passion story. Often compared to Stainer’s Crucifixion, it was written with parish choirs in mind.
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For many years, Olivet to Calvary was a beloved part of Holy Week at All Saints, presented as a solemn and reflective Good Friday offering, first performed in 1920. In 1970, a record was released of that year's performance in recognition of its 50th performance at All Saints. Over time, as musical traditions evolved, it faded from regular observance. As a part of our Choir program's 125th anniversary year, we once again present this work.
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Admission is free, though donations are accepted and will support the All Saints Music Education Fund, which helps make concerts such as this possible. ​
About J.H. Maunder
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J.H. Maunder (John Henry Maunder) was an English composer and conductor, best known for his contributions to sacred music during the late 19th and early 20th centuries. Born in 1858 in London, Maunder's early life was marked by a strong education in music, which led him to a career that balanced composition and performance. He worked as an organist and choirmaster in various churches, most notably at St. Michael's, Kensington, where his influence on church music was significant.
J.H. Maunder
Although Olivet to Calvary is his most famous and enduring work, Maunder composed a wide range of other pieces, particularly within the realm of sacred choral music. His other choral works include The Resurrection, a cantata based on the Easter story, and several anthems that were often performed in church services. Like Olivet to Calvary, these compositions demonstrate Maunder's ability to blend accessible, lyrical melodies with profound religious themes, creating music that resonated deeply with both singers and congregations.
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Maunder also composed a number of organ works, some of which became staples in church services and concert programs. His organ music, marked by intricate counterpoint and rich harmonies, was a reflection of the musical styles of the late Victorian period. As a conductor, he was known for his clear, expressive interpretations, often leading choirs in performances of both his own works and those by other composers.
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In addition to his works for choir and organ, Maunder wrote numerous hymns and hymnal settings, contributing to the development of British church music during his time. Though his output was more modest compared to other composers of his era, the quality of his work has left a lasting impact, particularly on the British choral tradition. While Maunder may not have achieved widespread fame outside of sacred music circles, his works continue to be treasured for their emotional depth and devotional power.
About our Soloists
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Jason N. Brown, Tenor – Serving as the Minister of Music and Arts at First Presbyterian Church in Richmond, Jason leads choirs, handbells, and instrumental ensembles, fostering a vibrant and engaging music ministry. Originally from the Republic of Trinidad and Tobago, he holds music degrees from the University of Kentucky and West Virginia University. A gifted tenor, Jason has performed extensively in both sacred and concert settings, collaborating with ensembles such as the American Spiritual Ensemble, Louisville Bach Society, and Houston Grand Opera. With a passion for choral excellence and mentorship, he has expanded First Presbyterian’s musical outreach through special services, concerts, and community events that highlight the transformative power of sacred music.
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Chase Peak, Baritone – A Richmond native and graduate of Virginia Commonwealth University (VCU), Chase Peak is an accomplished baritone with experience in both opera and sacred music. He was a young artist with Virginia Opera and has performed widely in the region, including singing the National Anthem at major events. Chase is also known for his involvement in community outreach, regularly collaborating with local choirs and music programs to inspire and support emerging talent. In addition to his musical career, he works in the financial sector but remains deeply committed to Richmond’s choral and classical music scene, bringing his rich, resonant voice to a variety of ensembles and performances. He is a regular performer at local churches and enjoys connecting with audiences through both sacred and secular music.
Olivet to Calvary
Remastered 1970 All Saints Men & Boys Choir Recording
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In 1970, All Saints Choir of Men & Boys recorded its performance of Maunder’s “Olivet to Calvary” – the 50th presentation of the work at All Saints. Directed by Charles P. Cooke, Jr, the work was recorded live and released on LP. As part of our Scotland fundraising, the recording has been digitized and will be available for sale on CD (in a professional package) or for download on Apple Music in the coming weeks for $19.99. (Click here for a sample of the recording!)
If you would like to signup to preorder the CD, please add your contact to the sign up here, or let us know at music@allsaintsrichmond.org.